Back in March I set the members of the Hilltop Cloud Ravelry group a challenge. I called it In5pire.
The group has always been focused on sharing what we make, so I wanted to do something to celebrate the 5th anniversary of Hilltop Cloud that was all about sharing, making, and was something that anyone could join in with.
The challenge was to take one of the images I put together on a special Pinterest Board, and to use one of them as the start of a design process. They could create whatever they wanted, but they had to document their progress!
58 people took part, and an amazing 21 got their projects finished by the June deadline. There were art yarns, gradients, lace weight, cabled yarns. Some designed their own patterns, others ventured in to free form knitting and weaving, other used classic pattern drafts.
The one common thread were the set of inspiration images, na that they were all using Hilltop Cloud fibre.
If you have some spare time then it's worth browsing through the thread, or if you just want the shortened version this link just shows posts containing photos. It's well worth looking through.
After a short delay, while I travelled up and down the country teaching, I finally managed to sit down with Jill Shephered aka. wriggglefingers (who rather handily is also a spinning tutor, and used to teach Design in schools).
There were prizes on offer, not for the most technically difficult project, but for the one we felt showed the most evolution, the most problem solving skills, and the most thorough testing and documentation. It was really tough as so many of the entries had done an amazing job.
In the end our winner was this shawl.
It was designed by Anne-Lise. She had already spun her yarn before the challenge started, but the motifs used in the shawl went through a huge number of changes while she settled on the right combination.
From her project notes-
My inspiration is this one, which inspires me because it is both nature and culture, new and ancient, it is still here and at the same time lost to us. I will try to incorporate those thoughts into the design.
April 20, 2016Have been swatching.
Barbara Abbey tells us in her book “Knitting Lace” that she has collected old, as in 1850’es old, knitted lace patterns for a long time, and in this book presents the ones she likes the best. She says many are very old, but she never once mentions her sources. I have found a very nice edge pattern in the book, which is presumably from a very old source. I have no way of finding out. It might be from Weldon’s Practical knitter, or from Miss Lambert’s “Knitting Book”, or it might not. I found a similar, but also quite different edge in Barbara Walker’s treasuries, where it’s called a Portuguese edging.
I swatched both edgings to see if the yarn liked them. They are both garter stitch, and I tried that, and then I tried st st, and the pattern definitely wants to be garter stitch.
None of the patterns were really completely as I wanted them (odd holes and weird beginnings), so I have been spending the day trying to cook up my own version.
I found a nice way that fit the number of rows I needed, but I want to let it rest over night to see if I really like it…
May 10, 2016Swatching the body stitches, I was thinking about other historical evidence in Wales, going further back.
Romans, certainly. Roads and forts. I swatched the “Roman stripe” pattern from Barbara Walker, the yarn liked that a lot. I also swatched two other patterns that looked promising, a brioche stitch and something I thought might look like stone walls, but they didn’t work at all.
Vikings, certainly. Raids and stories… We could let some cablework symbolise the Vikings, and as they would have been using arrows to defend themselves, it fits well with an arrow-and-cable combination. I swatched and found that it would be nicer with a 3-braid than a 2-braid, and I will probably add some purled sts on either side of it to make it stand out better. But the yarn liked it a lot.
So, there we have all the elements, now I can begin knitting!
Of course, things never go smoothly, and it was lovely to see how the design evolved. The finished shawl just spoke to me of Wales, in a way that I can't really put in to words.
I know Anne-Lise is currently working on writing up the design, and I think I will need a version of my own.
I knew it was going to be hard to pick just one winner, so also said that there would be a runner-up prize.
This Rose Quartz inspired a lot of people, but Carrie's interpretation in to weaving was stunning.
Her pattern draft, the manipulation of the silk & kid mohair skeins she spun to match the colouring, the use of a sparkly fibre at the edges, it all makes for a beautiful project.
A few other projects also caught our eye...
There was also a random prize, and it was won by Kate. Her free-form weaving was a really strong contender in the judging, and has definitely inspired me to actually do something with those old pictures frames I'd been saving for just this purpose!
I can't think of a better way to bring the end of my 5th anniversary celebrations to a close. I love what I get to do on a daily basis because I love seeing how my fibres get transformed. Fibre can be beautiful to look at, but until you turn it in to yarn, and then turn that yarn in to stunning, useful objects it's not reached its full potential.
If you joined in the challenge, thank you so much. Even if you didn't finish, thank you for sharing your knowledge. If you didn't join in, do go and read the thread, click through to the project pages, favourite the ones you like, and leave some comments.
Oh, and watch this space... apparently they'd like to do it again in a little while!
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