The start of this story seems oh so long ago. Wonderwool, 2 years ago, I was having a conversation with Amanda Hannaford, and the Chairman of my spinning guild; Dawn. They'd both just received their entries back to that years longest thread competition. It was a competition that I was aware of, but never really thought I'd enter. After all, I have more than enough things to be getting on with, why would I want to spin 10g of fibre as fine as I could just to see how thin I could go... The months rolled on, and the idea niggled at me. At heart I am a competitive soul, and do enjoy a challenge. Before I know it it's September, and I've arranged to buy a Bowmont fleece from a local flock. When I picked it up I examined the fine fibre and thought "this would be a great fibre to use for a longest thread entry". At that point, all was lost, I was committed, and before I knew it I was ringing up Dawn and promising her a chunk of fleece in exchange for all her knowledge! I went round to Dawn's house, dragging my Matchless through the door, and was made to concentrate harder on my spinning than I had in a long time. When you're spinning this thinly you can't not concentrate, and you have to be super aware of what's going on between your fingers, and how the wheel is effecting the yarn. I then spent my Christmas holidays spinning. I washed my precious chunk of fleece, weighed it carefully, combed it, padded my bobbins, and spun, and spun some more! Then came the plying, had I added enough twist, or was it all going to drift apart in front of my eyes. I wound it off on to a core, and then promptly forgot all about it! Luckily a post popped up in the Longest Thread Ravelry group reminding everyone about the deadline for entries. Then the wait for the results, and even more amazingly that my entry had come 5th. In fact, this year, us Brits had done rather well, 3 of us in the top 5 on a wheel, and Dawn had yet again won the E-Spinner category. A couple of weeks later, my entry arrived back with me. I already knew when I plyed it that my second bobbin was better than my first... so here's to next time. I think I may have caught the longest thread bug, it's undoubtedly made me a better spinner.
Put 21 spinners, dyers, weavers in one Youth Hostel and I think you'd be hard pressed not to have a good time. This was a standard scene. The activities varied, but at any given time there would be a group of people trying new things, offering advice, creating beautiful stuff. It was the sort of occasion where a flyer in the cereal mountain, and a ball winder in the fruit bowl was perfectly acceptable. I learned to do new stuff. This is some 2cm long staple Angora fluff, which we decided to start spinning at around 10pm... as you do. I suspect the Sloe Gin has a lot to answer for. It would have been ideal fodder for my neglected Charkha (at home), however I did have the quill for my Hansen mini spinner with me. So (remember, this was gin fuelled), I decided it was the ideal time to learn how to use it. The end result is soft and fluffy, needed lots of twist to hold it together, but will make a beautiful garter for the Bride in question. Three of us made this skein as a collaborative effort, the language, like the gin, was fruity! I learned how to do new stuff, and taught someone else at the same time. Jacob yarn, spun that weekend, and dyed with Kool Aid. Knew the theory, never done it in reality, but it came out alright, and made the entire hostel smell of cherry sweets. The weekend was bought to a spectacular close by this. Crab soufflé, in the worst oven I've ever cooked on. Even the 30 year old oven in my caravan that I use for dyeing performs better... But it did rise, and tasted delicious. Jill is a queen amongst cooks to have puled this off! One of the pleasing by-products; managing to snap a picture of the ruined Marcher castle and flying crows. and spotting this... a wriggly tin barn with interesting colours. Back to work with a bump today, creating March's Gradient Pack colourways. I think I might have found my first inspiration!
So as I mentioned in the last post, February has been stupidly busy. Partly because I've tried to fit a 31 day month in to 28 days... February is just plain sneaky like that. You get to the 25th, think you have loads of time left to get your monthly jobs done, and before you know it March is arriving! However, I have actually finished off quite a few of my personal projects. The mountain of grey yarn (nearly 1kg) is now spun, and will be next on the needles... well once I finish the cardigan it will, though the end is in sight, there are two sleeves that are joined to the body. The combing is also finished, and is now on the wheel being spun as a lace weight. In fact, that's nearly finished, a lovely combination of well prepared fibre and having a fast ratio is making it a quick spin. There must be something in the air regarding white lace as the results for the Longest Thread competition were released overnight. For a first attempt I'm pretty pleased. Fifth best for a wool thread spun on a wheel is pretty good for a first attempt, particularly on a wheel that's fundamentally unsuited to this sort of spinning. I love my old Matchless, but for spinning a very fine thread you need lightweight bobbins, and mine weigh nearly 100g. I blogged about spinning for the contest here. Another finished thing is my weaving, it's off the loom and has been fulled. Woven wool cloth for clothing needs to be fulled, or felted. It makes the cloth better structurally by sticking the wool together. It will mean it wears better and won't go baggy. Now I am a naughty weaver and don't sample... So this, which was lovely, but not suitable for clothing as it was still see-through,and very mobile, became this... Still recognisably the same cloth, but it shrank rather more than I was planning... that floor length pinafore dress, is now going to be a shift dress. Sometimes you just go with the flow!
As for my other unfinished tasks, I have a whole weekend with no other distractions planned. A group of us are taking over a Youth Hostel, where I plan on doing little else other than spinning and eating. The sun has been shining for the past couple of days. In a way it's been lovely, I've actually been able to dry some fibre outside for the first time this year. However, it's also revealing the state of the house after several months of winter... When you rely on wood as your source of heat you're continually bringing the outside in to your house, add in all the fibre from the business and all my personal crafting and the floor is awash with mini tumbleweeds... When you only ever see the floor in half daylight you tend not to notice them, but when sunlight blazes in through the windows... ooh boy. We won't even mention that the windows themselves are now revealed to be utterly filthy. No point in getting too concerned though, there's at least 2 more month of proper winter living, and everything will only get covered in dust again if I clean it now. Instead there was a compromise, a quick whizz round with the hoover to pick up the worst of the grime, and a tidy up of all the stuff that gets scattered around the place. Basket of fibre being a case in point... I swear it's breeding in there. I've definitely spun and knitted up more than I've purchased in the last year, yet somehow it still takes up the same amount of space if not more. Of course, in my head, the braids of fibre that I dye myself and end up keeping don't really count. Spares from the fibre clubs are the worst culprits. They're club colourways, and while I've never said that club colours are exclusive to the club, I always feel guilty about selling the spares... so instead I keep them, particularly if it's a colour or base fibre I'm in love with. However, a bit of forceful stuffing in to boxes, and things are no longer looking quite so untidy. I just about managed to avoid getting distracted by the other contents of the boxes as well. It doesn't help that every project I'm working on right now is tending towards the epic scale. All started months ago, and all so close to being finished, but not quite there. Case in point, I started this cardigan before Christmas. It's Kate Davies Northmavine Hoody, in handspun Hannui, some hand dyed, but mostly in natural colours. It's a beautiful pattern, but is in fingering yarn on 2.5mm needles, which means it's not exactly a speedy project! The sleeve has had me stalling for weeks now, it doesn't help that there are 5 balls of yarn to wrangle, and you're changing colour 6 times in the space of 10 rows. However, I just got a present that should make yarn wrangling easier. My very own posh project bag made by Mum. The fabric is one I've long adored, but it's eyewateringly expensive, and we've been trying to find it as fabric by the metre instead of pre-made in to cushions for years. I also got a matching homemade cushion, but there are leftovers of the fabric, so I think Mum is making more bags like this one. The smaller 100g balls fit in to the outside pockets so I can use them as centre pull balls without having to constantly untangle the yarn rolling around on the floor. The big 200g ball of grey fits in the inside yarn pocket, and the cardigan body now fits in the bottom of the bag, instead of being shoved under the chair waiting for me to finish the arms. Another big project is combing a Merino/Wensleydale fleece, again, it's so nearly done, but combing is such hard physical work that I don't feel like doing it after a big day dyeing. It's coming up beautifully though so I can't wait to spin it. Of course, first I need to finish yet another big spinning project. An entire fleece destined for a Blank Canvas jumper. This got put in to time out this autumn as I'd failed to get the first couple of bobbins to match the sample. Closer examination, and the passing of several months, makes me think I wasn't as far out as I thought, and it will probably be close enough. Only 2 more large batts to go to get this one done... Though there's already another spinning project on my Hansen mini spinner, and of course, that's equally large... The current weaving project is the most epic of the lot. I've been weaving this since the summer. So far there are 2 lengths done, and only one short piece left to go. In total it will be enough for a floor length pinafore dress, which is a huge amount of fabric to weave on a rigid heddle, there's 7m so far. The next piece will be much smaller as I'm nearly finished with the coloured yarn I'm using. In fact, the quickest way to get this finished is to get the final warp on the loom, so enough talking about it, and time to get it done, I'm off to do battle with the warping peg!
Things are still blissfully boring round here. Work is very busy (thank you!), so evenings are spent doing non-thinking activities. I have picked up my crochet hook again in an attempt to finish off a blanket project I started more years ago than I care to admit. I've also been spinning, partly to reduce the quantity of fibre bulging out of storage boxes, but also because there are times when 100g of hand dyed fluff provides just the right amount of challenge. I theoretically have a fleece project I'm working on, hoping to spin it up for a jumper, but the first skein was very wrong in terms of thickness, so the whole project went in to time out. I pulled out the pretty braids just to remind myself that I do know what I'm doing, and can make yarn! Heavenly Fibers Hannui BarberBlackSheep Hannui
Spun to a weight that matches a couple of skeins I've already spun. Aiming for a rough Sport/DK weight makes for comfortable spinning, and tends to give me options for the finished skeins. There are so many great striped patterns out there now that allow you to combine skeins of yarn. It's also a thickness that makes a nice woven fabric if I choose to go down that route. Now if you'll excuse me, reducing my stash of dyed braids appears to have resulted in my buying undyed fibre to use with it to make Northmavine Hoody... I'd best get spinning! Last weekend saw me sat in another workshop with Sarah Anderson. This time it was one I'd organised on behalf of my local guild. I failed spectacularly at taking photos... again. In my defence when you're the person organising the whole shebang there's not a lot of free time! Sarah, yet again, was fabulous. We were a large class at 18, but I feel pretty confident in saying that every person in the class came away feeling like they'd learned something, and weren't short on individual attention whenever they needed it. This time the class was on Core Yarns, and Crepe Yarns. Core yarns are actually something I spin a lot of, so I was already a convert, but I think a lot of people learned what fun this construction method is, and how you can use it in so many different ways. My usual core yarns are fat, fluffy and textured, so for the workshop I went in the other direction. Smooth, thin and controlled. This is some carded Zwartbles fleece, that's then spiral plyed with some thick sewing thread. The nice thing about plying core yarns is that you don't need to pre-spin the core in the opposite direction like I usually do for my singles corespun yarns. This is some BFL top, which is then plyed with itself. My Mum described it as looking like beginner yarn, but actually it's got it's own subtle beauty, it almost looks like the twisted cord you see being sold for upholstery, and the core means it doesn't have a lot of stretch. This is a bit closer to what I normally spin as core yarn. It's some carded Gotland, that's then plyed with thread strung with silver beads. This would weave beautifully... This has photographed really badly, but is beautiful yarn. Kid Mohair locks, just teased open, and then core spun. It makes the expensive locks go a very long way, and you then ply it with a tonal thread to help hold the fibre in place. This little skein is another skein of super coils, again, a technique I have already been using, but there's nothing like seeing someone do it in the flesh to refine your technique. Final yarn is a bubble crepe. This is one of the yarns I spun last New Years Eve, and I loved it then, and love it even more now. Not the quickest yarn to spin as you need to ply it twice, but oh so lovely to look at and feel. Again, I think this might be nice woven, especially if you could get the warp threads to sit in crossed sections... The past 2 weeks have really revived my spinning mojo. I have so many ideas buzzing round in my head, new techniques I want to try, even from the classes where I've spun yarns that I felt I already had a good understanding. Speaking of new things, this popped in to my head a few days ago. I think it's safe to say that beehives are now a technique I've mastered!
I spent the weekend at Fibre East, last year I was there as a stall holder. This year I got to go just as me. It's a lot of work for me to do Fibre East so soon after Woolfest, and I also had 2 club parcels to dye in July. Last year the online shop was neglected for most of the summer, and by the end of the summer I was worn out. So this year, I'm pacing myself, there are fewer shows in my calendar, and I feel much better for it. It was particularly nice to be able to go to a show as Katie, rather than Hilltop Cloud, just like I used to do before I started the business. I caught up with friends, went shopping, and also had time to take some classes. The tutors that Jan from Fibre East had collected in one place was utterly amazing, Deb Roson, Abby Franquemont, Sara Lamb, and Sarah Anderson, to name a few. I spent most of my weekend in classes, I'm sure my wallet was grateful for that decision as well. The 2 classes I ended up doing really were the 2 extremes of spinning. Sarah Anderson, who wrote The Spinners Book of Yarn Design taught me to do this. (This skein is unwashed, after a bath the corkscrews will all settle down) Beehives, and Cocoons. What I partcularly loved was that we actually spent half the class focusing on spinning consistent thick yarn. It's such an over looked skill. As spinners we focus on getting thinner, and thinner, but for me the ultimate test of the spinner, and the fibre, is to be able to spin a thick chunky single. While learning that I also picked up a new way of spinning thick and thin that seemed much more natural to me. Then it was on to the cocoons... Lovely great big fat slubs in a contrasting colour. And some beehives, lovely little sea shells that wrap around your yarn. Of course, I then got a little enthusastic, forgot I was on my Bliss, and not a wheel with a delta orifice, and then had to mangle this example to squeeze it through the orifice and on to the bobbin. The next day was a whole day spinning silk with Sara Lamb. I knew this class was going to be a challenge for me. I normally spin my silk with relatively low twist, I like to keep it soft, and floaty, and maximise the shine, and I tend to spin for knitting. In contrast Sara mostly spins for weaving, she believes you can't spin silk with too much twist, and that way you make better weaving fabrics that are more durable. This is a close up of my handspun silk shawl, it was a brick, spun with low twist as both singles and plying (in fact in a few places it's underplyed even for me) This yarn has real shine, and the 50g shawl feels lighter than air. It is starting to fluff a little, but it's also handled alot as I display it on my stall at shows. Eventually it will be worn out, and that's ok. I spin and knit quickly, and things will wear out, and I get to replace them. I wanted to see how Sara spins her yarns, and also to feel how they felt. Her weaving is utterly beautiful, the cloth feels very non-handmade, she knows so much about silk. I really did enjoy the class, and learned lots, but I'm not a convert to super high twist silk. And that's ok, you can disagree, and still understand another persons point of view and reasoning. I'd still happily recomend her classes, because everytime you try out a new technique, or get exposed to a different idea you become a better spinner. This is Tussah silk top, it was the first yarn we spun, and the one where I really tried to spin it as closely to Sara's method as possible. There's no point in taking a class if you're going to ignore the teacher in front of you and just carry on doing something the way you've always done it. Sara gets you to spin the silk longdraw from the fold, or just from a jumble of fibres, and you put in as much twist as you possibly can. When you ply, you put in even more twist. When this 1 yard skein came off the bobbin it twisted round on itself 6 or 7 times it was that twisty, and that was with fresh singles. In a plyed yarn with stale singles the skein would really be doing corkscrews. Some of the twist did dissipate when I washed the skein, but it would still create a knitted fabric that biased an awful lot. To me, this feels like thread, not yarn. The woven fabrics out of it were beautiful, but even the slightly less twsited knitting samples felt heavy, and dense. Silk doesn't have crimp, so it can never be bouncey, but lower levels of twist it seems to have more air trapped in the yarn so you get a much more cushioned feel from the yarn. From top left in the collage we have mulberry tops, top right, mulberry brick, then Eri silk bottom left, then a Silk Cashmere blend bottom right. Spun in that order as well
As you can see as time went on I backed off the twist a little bit, to modify the technique to suit the sort of yarn I prefer. 6 hours is also a long time to be spinning, and over time you get tired and start to drop in to your default. These are all still more twisted than I would ever have considered spinning before the workshop, and I do actually like most of these yarns. The brick was a challenging brick to spin. As I've written before there are real issues with the quality of bricks coming in to the UK. They're being sold as A1, but are not of the high quality you would expect from that grading. I've worked really hard to find a supplier who does seem to get in bricks that do match the A1 grading, and only contain silk of even, long lengths. In this yarn the short sections of silk caused real issues. It's where Sara's technique of spinning long draw comes in to it's own as you can't normally spin fibre with this sort of mixture in length using a short forward draw. When you hit a short section your hands are too far apart and the yarn just disappears up the orifice! For both the mulberry yarns the shine was much lower than I would expect for this sort of fibre. In the raw form the fibre feels like you can see your face in it. Because of the high twist, and the jumbled nature of the individual strands from spinning long draw I feel like I lost the lustre that I love in mulberry silk. Even when I spin silk using a short forward draw I do let some twist in to the drafting zone, which I think makes it easier to spin, but does keep the fibres aligned, so you get maximum shine. The matt silk yarns definitely have their own appeal though, and a project in silk spun using my normal style, and the high twist style from the workshop could be an interesting experiment... The Eri silk was a really lovely spin, it had the tooth of Tussah, but with more shine, and felt like a finer micron count. I'm looking at trying to get hold of some of it to dye as I think it might make a nice addition to my fibre range. We finished off with some cashmere/silk. This was lovely to spin using Sara's technique, which sort of makes sense as I'd want to pure cashmere long draw as well. The finished yarn is always going to be less shiny due to the cashmere, so I can cope with loosing the shine from the silk. Cashmere can also pill if not spun tightly so again, the high twist for me really works in this yarn. Someone also spun a 3-ply of this blend, and the round bounciness of that yarn construction was wonderful. At that point we ran out of time, though I also have some Muga silk, and some dyed tussah to experiment with. I shall try to be good and continue to spin them in the style of the workshop so I can make some comparisons! Am I convert to high twist silk, not really, but doing the workshop made me evaluate how I do like to spin silk, and has given me more techniques to try. The long draw technique will be particulary useful for silk fibre that has a mixture of lengths. I'm sure there will be some more high twist silk yarns in my future. Of further note. My only wheel for the whole weekend was my Bliss, yet again proving you don't need an expensive wheel to spin all sorts of yarns with very little difficulty. Myself and another lady both were using Bliss wheels in the silk workshop, and I think both our wheels together cost less than every other wheel in that workshop, and for a great many of them they wouldn't have coped with the low twist, chunky art yarns. 2014-07-28Categories We're having an informal Spin Along over in the Ravelry group, everyone's welcome, and you're not too late to join in. There's lot's of great information being shared, and plenty of advice being given. One of the things that popped up was that a few people loved how batts looked, but were unsure about how to deal with them. Many spinners now learn using combed top, so getting the fibre as a giant rectangle can be a bit daunting. I suggested that I could put together a video showing some tehcniques, and quite a few people seemed really keen to see it. One afternoon later, and it's ready. So even if you've spun from batts before, there might be some new ideas to try out. As well as telling you how to split up the batt, I've also tried to say what sort of yarn the different methods will produce, and why you might want to use them in different circumstances. It's not the definitive list of how to spin from batts, and if you do it differently then please share how you do it, the lovely thing about this craft is that you never stop learning, and I love seeing new-to-me ideas. Each section was done in a single take, and it was self filmed using my regular camera on a tripod. As a result it's not the highest quality production, however, it's free, and I think it's clear enough for you to get the idea. We do own a proper video camera, I need to wrestle it back from my little brother. If you like this video, and can think of other things you'd like to see me demonstrate, then I'll have a go at filming them. If you like looking at videos to learn new skills then there is a collection of tutorial videos right here on the Hilltop Cloud site, these are, in my opinion, amongst the better videos out there. Not every tutorial on You Tube is well filmed, and whilst I am a firm believer that there are no spinning police, there are several that really aren't the best method to use, and some, particularly drum carding ones, that are just wrong.
So much to talk about, I fear this will be a piecemeal post as I want to get caught up, and if I don't do it all in one go I will never get back to writing about things as they happen. One of the perils of running an online based business is that it's very easy to feel like you've become welded to your laptop. Sometimes it's nice to take a complete break away from being online, and the pressure of having to write stuff, and be entertaining, and to show people new things. Don't get me wrong, I love writing blog posts, but sometimes it's nice to pause and draw breath. I was away last weekend on just such a break, Skip North is a gathering each year up in Haworth (of Bronte sister fame), technically it's a chance to go shopping at the many treasure troves found in Yorkshire, but in reality it's much more than that. It's also a chance to catch up with friends, share skills, and be inspired. In fact, I bought no yarn whatsoever. I have no photos of the weekend, mostly because I was too busy doing "stuff", and I didn't bother taking my camera, and despite the craze to capture everything using the camera on iPad's and phones I'm not that much of a fan of any photos I've taken this way. If you do fancy reading about the weekend, I can highly recommend taking a trip over to Rachel at My Life in Knitwear, she has proper lovely photos to share. Of course being away requires social knitting. The sort of knitting you can do on a coach, or while drinking wine, or while putting the world to rights. My knitting at the moment is pretty focused on making fresh stall samples, ones that show off my fibres, and highlight what you can do with 100g of pretty fluff. So before I left, I got this spun up. This is my Bollywood Gradient, spun as singles so that the colours changed pretty rapidly. I'm combining it with some natural coloured commercially spun Alpaca to make a Spectra. I've got a fair bit of it done, but I've only just finished making a version for myself, so I am starting to get that poking yourself in the eye sensation. I have however made more progress on it over the past 2 days, as I've spent lots of time staring at my laptop waiting for it to do "stuff". My laptop is elderly, I bought it with my Golden Hello bonus when I started teaching, neither the "t" key or the "e" key have any paint left on them, and the glass covering the LCD screen has a hairline crack running across it, the CD drive also has to be coaxed in to action... however, it still works, and I'm a firm believer in not discarding items before their useful life is over. It was in need of a bit of maintenance though. 5 years of file debris scattered about, had left it with whirring fans, and a reluctance to carry out a task in a sensible time frame. So everything was backed up, the hard drive wiped, and I started again from scratch, reinstalling only the important things, and it's now much happier. The Spectra isn't the only new stall sample on it's way. I also just finished making this. Another Stephen West pattern, featuring my favourite garter stitch-handspun combo, and the chance to use up a smaller amount of yarn on the border, perfect. This one is worked in a semi-solid BFL/Alpaca/Seacell 2 ply as the main body, then I used some variegated BFL/Baby Camel singles for the contrast. While I had the dummy out, I also took a photo of this. I made this shrug 18 months ago, and never wore it because it kept falling off my shoulders. The pattern was one I made up, using the same construction method as the Two-Tone Shrug in Fitted Knits, it fitted nicely off the needles, and then I washed it. It was just before Glasgow School of Yarn, and I was in a rush to get it dry so I could take it with me, and put it over the top of my towel rail to dry. End result was a shrug that was far too wide, and fell off my shoulders, so I never wore it. One trip through the washing machine on the handwash cycle, and it's now back to the correct shape, and fits. A prime example of what The Yarn Harlot talks about in this blog post. Blocking doesn't just apply to lace.... it makes a huge difference to all types of knitting. The yarn is the first ever BoB club fibre, it's Jacob Silk in a beautiful semi-solid blue. The edging is the same fibre left un-dyed. Total amount needed, around 200g.
The past couple of weeks have been busy, but to my mind that's all the more reason to squeeze in some time for some spinning. The Ravellenics seemed like the perfect excuse, set yourself a challenge of a project you want to complete during the 17 days on the Winter Olympic Games, start when the games kick off, and finish by the time the torch goes out. Of course I had a dress to finish, and was at Unravel for the final 4 days so 17 days wasn't actually all that long a length of time! We had our own team running over in the Ravelry group, at one point the Ravellenics were on slightly rocky ground, add in the political opression over in Russia, and we nearly didn't take part in the challenge. However, we decided the perfect thing to do was to spin Rainbows, so I did some mamoth dyeing sesions to do some Silk Brick, BFL/Camel and Superwash BFL/Ramie in my sludgy Rainbow colourway, and also carded lots of my Rainbow gradients. I decided I was going to spin up some of the 3 tone BFL in the summer garden colourway I dyed for the fibre club last summer. This was the prototype colourway for what I now call Sludgy Rainbow. I'd kept back the spare braids for myself, and have spun enough yarn to knit Sugar Maple. The Hilltop Cloud team have spun and knitted up a storm. There are 6 finished Rainbow projects, including this stunning Rainbow shawl using the Rainbow Sprinkles pack. I know that there are also quite a few people who have been busy creating and haven't set up stash and project pages, they have however been posting in the Ravelry group, it's well worth a browse to see the beautiful things that are being crafted.
Only 6 months to go for the Tour de Fleece... best start thinking about the next challenge! Oh, and if you're missing your winter sports fix, Channel 4 will be following on from their excellent coverage of the London Paralympics by covering the Winter Paralympics. From their website it looks like nearly all the action will be covered live, and in full. |
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Beautiful fibre you'll love to work with. Established 2011 VAT Reg- 209 4066 19 Dugoed Bach, Mallwyd, Machynlleth,
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